SEARCH RESULTS FOR: Rustic Chivalry
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Rustic Chivalry’ Composed: 1888 Premiered: 1890, Rome Libretto by Giovanni Targioni-Tozzetti and Guido Menasci after Giovanni Verga’s play Early on Easter Day, Turiddu is heard offstage serenading Lola. The villagers start arriving for church. Santuzza stops Mamma Lucia, Turiddu’s mother, and asks where she may find him. He is supposed to have gone to another village to ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(Rood-jâ’-ro La-on-ka-val’-lo) 1858–1919 Italian composer Leoncavallo’s masterpiece was the one-act opera Pagliacci (‘Clowns’, 1892), for which he wrote the libretto, based on an incident in the Italian town where his father was a judge. In its realistic subject and passionately expressive style, it embodies the verismo movement pioneered by Mascagni, with whose Cavalleria rusticana (‘Rustic Chivalry’, 1890) it is ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

The Italian Giuseppe Verdi and the German Richard Wagner, the dominant composers of the High Romantic period, were very different personalities who shared the same operatic aim. Both saw opera as Gesamtkunstwerk, the total work of art in which all elements – singing, acting, orchestration, drama, poetry, stage design – merged into a ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Country music has been euphemistically called ‘white man’s blues’ or ‘the poetry of the common man’. While both descriptions have elements of truth, neither is quite accurate. It is, in fact, a broad, nebulous, over-reaching category with no exact boundaries or parameters. Over the decades country music has grown to encompass a greatly varied assortment of ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

The seven centuries covered here saw, essentially, the making of modern Europe. They saw the rise of the papacy and its numerous conflicts. They saw the shaping and reshaping of nations and empires. Yet beyond, and often because of, these conflicts and changes, they also saw the formation of great cultures. As nation met nation in ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

‘Saint Alexius’ Premiered: 1632, Rome Libretto by Giulio Rospigliosi Prologue The figure of Roma (Rome), surrounded by a chorus of slaves, dedicates the performance to the Prince of Polonia (Poland). Act I Eufemiano, a Roman senator and Alessio’s father, encounters Adrasto, a knight returning from war. While pleased to see Adrasto, Eufemiano mourns the disappearance ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Franz Liszt, the great Hungarian composer whose daughter Cosima married Wagner in 1870, conducted the first performance of the three-act opera Lohengrin at the Court Theatre, Weimar on 28 August 1850. Wagner provided a blueprint for productions of Lohengrin, just as he did for Tannhäuser, and emphasized the duty of the stage manager not to leave ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

(An’-ton Brook’-ner) 1824–96 Austrian composer Bruckner’s Masses and symphonies, alongside those of Mahler, brought the Romantic symphonic tradition to its zenith. In contrast to Mahler’s angst and irony, Bruckner’s symphonies express triumphant faith, their almost cathedral-like proportions infused with exciting orchestral power and poetry. Born in the small town of Ansfelden near Linz, where his father was ...

Source: Classical Music Encyclopedia, founding editor Stanley Sadie

James Travis Reeves, born in Galloway, Texas, on 20 August 1924, was one of the most talented singers to find his voice and define his musical style during the late 1950s’ emergence of the Nashville sound. Like Eddy Arnold and Ray Price (in his post-honky-tonk years), Reeves possessed a warm, reflective baritone that conveyed warmth and ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen

1728–1804, German The German composer and writer Johann Adam Hiller was a keen admirer of Hasse. Although already an established songwriter, Hiller wanted to move into more operatic mode, with Hasse’s style as his yardstick. Hiller joined forces with the librettist Daniel Schiebeler (1741–71) and together they produced a romantic comedy-opera Lisuart und Dariolette (‘Lisart and Darioletta’, 1766). ...

Source: Definitive Opera Encyclopedia, founding editor Stanley Sadie

Martin Pugh grew up in England during the 1960s and 1970s. As a young musician influenced by rock’n’roll, Pugh developed his progressive, blues-and-folk-influenced style with his first band, known as The Package Deal, who performed in Devon and Cornwall in the early 1960s. Martin soon moved to London and joined Carl Douglas (‘Kung Fu Fighting’) and The ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

The names of this array of landmark artists whose music either straddled or transcended specific genres, – Johnny Cash, Dolly Parton, Tammy Wynette, Loretta Lynn, George Jones, Conway Twitty, Charley Pride and Buck Owens among others – have become synonymous with country music. During the 1950s, 1960s and 1970s, country’s popularity penetrated ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

From the urban cowboys came the neo-traditionalists, who offered a stark and welcome alternative. Their music, with its resolute devotion to earlier styles like honky-tonk, bluegrass and old-time country, bristled with the vitality and spirit of innovation that urban cowboy lacked. Emmylou Harris, a lovely, ethereal singer, came of age in the country and ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

After a decade that saw the art of the singer-songwriter being somewhat submerged by the demands of electronic over-production, disco crossover and relentless fashion horrors, the 1990s saw a rebirth of the solo artist with a genuinely individual style. This proved to be of particular benefit to female artists who, while still having to conform to demands for ...

Source: The Illustrated Encyclopedia of Music, general editor Paul Du Noyer

Country music is identified with the American South and West, but its roots were established on the Atlantic seaboard, from Cape Breton to New England, then filtered into the lower-central USA through the 2,400-km 1,500-mile) Appalachian mountain range. Eventually it proliferated everywhere. And if such a reach seems so vast as to defy a single culture ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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An extensive music information resource, bringing together the talents and expertise of a wide range of editors and musicologists, including Stanley Sadie, Charles Wilson, Paul Du Noyer, Tony Byworth, Bob Allen, Howard Mandel, Cliff Douse, William Schafer, John Wilson...

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